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A Retrospective Gallery Show

Half a Life on Canvas

Introduction

Looking at Gail’s art, you cannot help but be struck by the extraordinary richness of her imagination. There is such variety in her work, from abstracts to representational images, that you might wonder if the same artist made it all. Yet if you take the time to look thoughtfully at a body of her oil paintings, you will see the same expressionist sensibility running through them all. This essay is an attempt to describe and explore that contemporary sensibility and the path of development it has taken through a lifetime of oil and acrylic painting on canvas.

Dragonfly Overture Renewed Vision (left) Mayan Reveries Sunstruck Reveries

Gail’s aesthetic sensibility developed during the heyday of Abstract Expressionism, and her formal training occurred during its penumbra. With their daring and immediacy, these painters had the greatest impact on her. They freed the artist from having to represent the world of things and opened in its place spiritual and emotive dimensions never seen before. The artist’s job was to paint not the surface, but the interior of things—and most of all, the interior of the artist. With their vigorous brushstrokes, drippings and splats, Abstract Expressionists made the act of painting the subtext (at the very least) of everything they did. Time became the subject of a medium which until then had always been purely spatial, and therefore a-temporal.

Just as important to the formation of Gail’s sensibility and character as a contemporary artist is the influence of nearly two decades of Graham-inspired modern dance. Movement as the embodiment of emotion and the means of personal expression, and the artist as conduit of experiences beyond the limited reach of words: these principles are woven into the fabric of Gail’s artistic vision.


Wind Dance at Sunset Carnival Cities and Dreams Night's Mystery
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